12/9/2023 0 Comments Smalls new york city jazz club![]() Established in 1993, it earned a reputation in the 1990’s as a “hotbed for New York’s jazz talent” with a “well-deserved reputation as one of the best places in the city to see rising talent in the New York jazz scene.” Its jazz musicians are noted for being “talented, though largely unknown” while its music is characterized as “modern versions of bebop and hard bop.” The club’s subterranean main room is in a basement, with an original capacity of 50 people, later expanded to 60 people. ![]() Smalls Jazz Club is a jazz club located at 183 West 10th Street, Greenwich Village, New York City, New York, United States. 24 – In 1963, Jack Ruby shot and mortally wounded… ![]() 22 – In 1963, President Kennedy was assassinated while riding in a motorcade in Dallas… 21 – n 1995, the presidents of three rival Balkan states agreed to make peace in Bosnia, ending nearly four years of terror and ethnic bloodletting that have left a quarter of a million people dead in the worst war in Europe since World War II… 20 – In 1945, 24 Nazi leaders went on trial before an international war crimes tribunal in Nuremberg, Germany…. 19 – In 1863, President Lincoln delivered the Gettysburg Address as he dedicated a national cemetery at the site of the Civil War battlefield in Pennsylvania. 18 – In 1976, Spain’s parliament approved a bill to establish a democracy after 37 years of dictatorship. 28 – In 1943, President Roosevelt, British Prime Minister Winston Churchill and Soviet leader Josef Stalin met in Tehran during World War II… Ford as vice president, succeeding Spiro T. 27 – In 1973, the Senate voted 92-3 to confirm Gerald R. 26 – In 1942, President Roosevelt ordered… 25 – In 1986, the Iran-Contra affair erupted as President Reagan and Attorney General Edwin Meese… Join the mailing list for a weekly roundup of Jazz News. Not yet a subscriber of our Wednesday Breakfast Headlines? Recorded Smalls Jazz Club, New York City 17 February 2022. ![]() Jesse Davis, alto saxophone Spike Wilner, piano Peter Washington, bass Joe Farnsworth, drums. The sound is good and Cory Weeds took excellent charge of production. The album closes with Cole Porter’s frequently-banned ‘Love For Sale’ flavoured with a hint of Latin before it breaks into regular 4/4, with rapid flurries of notes from the alto and driving keyboard action from Wilner.Īltogether, a rare unpretentious and honest album from four excellent musicians who’ve obviously relished the experience. In contrast, Wilner maintains a delicate, even elegant contribution and Washington’s bass playing is subtle, precise and eloquent. On Victor Young’s lyrical ‘Street of Dreams’, Davis intensifies the dramatic effect by bending notes almost beyond their pitch limits. They rip into Thelonious Monk’s ‘Rhythm-A-Ning’ with vigour and enthusiasm, Davis and Wilner weaving phrases through the changes like limber gymnasts, powered by Farnsworth propulsion. Davis supplies an unaccompanied coda with a breath-taking acrobatic flight.Įven though ‘Juicy Lucy’ isn’t a blues, it’s given the full-blown bluesy treatment, the band emphasising the irresistible bounce Horace Silver built into the melody. Wilner’s sonorous voicings introduce Strachey and Link’s ‘These Foolish Things’ which receives an emotional, though never sentimental, treatment from the soloists who demonstrate how to generate swing in a slow ballad. McIntosh’s ‘Cup Bearers’, with its rising figure and inspirational Farnsworth drumming, is taken at a sparky tempo (is the ‘Song Is You’ quote a tribute to Bird?). On ‘Ceora’, Lee Morgan’s composition, Davis (in Lester Young’s memorable phrase) ‘tells a story’, wailing in the old jazz sense, his alto an instrument of yearning. On piano, Wilner executes a striking locked hands passage followed with fireworks, courtesy of Peter Washington. And that’s because the 57 year-old lives with his family in Italy and why he isn’t as celebrated as he should be.Įvidently, Davis views Jimmy Heath’s ‘Gingerbread Boy’ as a funky cookie packed with lip-smacking spice, applying fluent, rapid runs and lashings of soul. jazz musicians consolidate their reputations. Although these tracks were recorded at Small Jazz Club in New York, Davis is a stranger to the city where U.S. There’s a reason why New Orleans born alto saxophonist Jesse Davis’s name doesn’t trip off the tongue.
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